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6. Toil On in Hope

The Drummer: a past life story

Khuddaka Nikāya
6. Āsīsavagga
Bherivādakajātaka
Minor Collection
6. Toil On in Hope
The Drummer: a past life story
Khuddaka Nikāya
6. Āsīsavagga
Bherivādakajātaka
The Drummer: a past life story

“Go not too far.”—This story was told by the Master while at Jetavana, about a certain self-willed Brother. Asked by the Master whether the report was true that he was self-willed, the Brother said it was true. “This is net the first time, Brother,” said the Master, “that you have shewn yourself self-willed; you were just the same in bygone times as well.” And so saying, he told this story of the past.

Ruta suttaJa 59Sutta Piṭaka › Khuddaka Nikāya › Jātaka › 1. Ekakanipāta › 6. Āsīsavagga › Bherivādakajātaka
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Versiones de traducción
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Datos de publicación
SuttaCentral
https://suttacentral.net/ja59/en/sujato
Título de la publicación
Birth Stories
Traductor
Bhikkhu Sujato
Título raíz
Jātaka
Idioma de traducción
English
Idioma raíz
Pali
Source
https://suttacentral.net/
Número de publicación
sc-en-ja-sujato
Licencia
Creative Commons Attribution 4.0 International CC BY 4.0
Información de licencia
https://creativecommons.org/licenses/by/4.0/
The Drummer: a past life story
9. Bherivādakajātaka
The Drummer: a past life story
9. Bherivādakajātaka
The Drummer: a past life story9. Bherivādakajātaka

Blow, blow, don’t overblow,*A drummer with his boy earned money playing drums at a festival. On the return journey, however, the boy’s incessant beating attracted the attention of bandits. | The story and title speak of a “drum” (bheri), while the verse uses dhamati, which normally means “blows”. The repeated idiom recalls the onomatopoetic Sanskrit dhamadhamā, which in Marathi, Hindi, Kannada, and Nepali has the sense of a repeated drumbeat. On the other hand, the next verse is almost identical and concerns the blower of a conch or horn. Rather than rendering the two verses to match the commentary, I assume they originally had the same sense.for overblowing is bad.By blowing a hundred was gained,*Sataṁ is explained as “a hundred dollars”. But there is a play on words here, for sataṁ can also mean “the good, the true”.by overblowing it was lost.

“Dhame dhame nātidhame, atidhantañhi pāpakaṁ; Dhantena hi sataṁ laddhaṁ, atidhantena nāsitan”ti.

Blow, blow, don’t overblow,*A drummer with his boy earned money playing drums at a festival. On the return journey, however, the boy’s incessant beating attracted the attention of bandits. | The story and title speak of a “drum” (bheri), while the verse uses dhamati, which normally means “blows”. The repeated idiom recalls the onomatopoetic Sanskrit dhamadhamā, which in Marathi, Hindi, Kannada, and Nepali has the sense of a repeated drumbeat. On the other hand, the next verse is almost identical and concerns the blower of a conch or horn. Rather than rendering the two verses to match the commentary, I assume they originally had the same sense.
“Dhame dhame nātidhame,
for overblowing is bad.
atidhantañhi pāpakaṁ;
By blowing a hundred was gained,*Sataṁ is explained as “a hundred dollars”. But there is a play on words here, for sataṁ can also mean “the good, the true”.
Dhantena hi sataṁ laddhaṁ,
by overblowing it was lost.
atidhantena nāsitan”ti.

Blow, blow, don’t overblow,*A drummer with his boy earned money playing drums at a festival. On the return journey, however, the boy’s incessant beating attracted the attention of bandits. | The story and title speak of a “drum” (bheri), while the verse uses dhamati, which normally means “blows”. The repeated idiom recalls the onomatopoetic Sanskrit dhamadhamā, which in Marathi, Hindi, Kannada, and Nepali has the sense of a repeated drumbeat. On the other hand, the next verse is almost identical and concerns the blower of a conch or horn. Rather than rendering the two verses to match the commentary, I assume they originally had the same sense.“Dhame dhame nātidhame, for overblowing is bad.atidhantañhi pāpakaṁ; By blowing a hundred was gained,*Sataṁ is explained as “a hundred dollars”. But there is a play on words here, for sataṁ can also mean “the good, the true”.Dhantena hi sataṁ laddhaṁ, by overblowing it was lost.atidhantena nāsitan”ti.

Bherivādakajātakaṁ navamaṁ. *Bherivādakajātakaṁ → bherivādajātakaṁ (sya1ed, sya2ed, pts-vp-pli1)

Bherivādakajātakaṁ navamaṁ. *Bherivādakajātakaṁ → bherivādajātakaṁ (sya1ed, sya2ed, pts-vp-pli1)

Bherivādakajātakaṁ navamaṁ. *Bherivādakajātakaṁ → bherivādajātakaṁ (sya1ed, sya2ed, pts-vp-pli1)

AnteriorTres cualidades: historia de una vida pasadaJa 58·Tayodhammajātaka“Quienquiera, como tú”.—Esta historia fue contada por el Maestro mientras estaba también en el Bosque de Bambú, sobre el tema de andar intentando mata…SiguienteEl tocador de cuerno: una historia de una vida pasadaJa 60·Saṅkhadhamajātaka“No vayas demasiado lejos”.—Esta historia fue contada por el Maestro mientras estaba en Jetavana, acerca de otra persona voluntariosa.
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